- Title: The Miniaturist
Classification: Adult Fiction
Genre: Magical Realism/Historical Fiction
Format: Hardcover; 416 pages
Publisher: Ecco (August 26, 2014)
ISBN-10: 0062306812
ISBN-13: 978-0062306814
Author's Website: http://www.jessieburton.co.uk/
Notes: I borrowed the book from the library.
A young bride journeys unescorted to her new home across the country to Amsterdam. When she arrives it is not her new husband, Johannes, who greets her, but his sister, Mira. Nella quickly learns things are not as they should be as her husband all but ignores her and her sister-in-law holds the purse strings and maintains command over the household. Secrets and mysteries abound and Nella is left feeling like an outsider, and while she's surrounded by people, she has never felt more alone. When her husband gives her a cabinet house for a wedding present, she's insulted and sees it as something one would give a child. At eighteen, she's definitely no child and she quickly wonders if he sees her as just another beautiful thing he's collected over the years. But strangely and surprisingly the cabinet becomes her focal point as the miniaturist whom she hires to fill it reveals things about the household that Nella knows nothing about, sometimes eerily predicting things before they happen. Is the miniaturist a friend or foe? Will she be the one to help Nella find her place or perhaps lead her to her doom?
“How can this house of secrets ever be called a home?”
This was a delightful story cleverly written and filled with
rich symbolism, unexpected twists, and mystery. I love how the beginning is the
end and the end is only the beginning, at least for Nella. The story is set in
Amsterdam in the seventeenth century, which was touted to be Amsterdam's Golden
age. An age when "ships from the city sailed to North America, Indonesia,
Brazil and Africa and formed the basis of a worldwide trading network.
Amsterdam's merchants financed expeditions to the four corners of the world,
and they acquired the overseas possessions which formed the seeds of the later
Dutch colonies."* The people of the time were under the control of the
Burgomaster (aka mayor) and a body of regents with control over all aspects of
the city's life, and a dominant voice in the foreign affairs of Holland. At the
time of the story, Amsterdam was just coming into its own.
Nella's husband, Johannes, is a successful merchant with
reputations of always being able to move his merchandise at a good price. He's
considered one of the wealthier people in the area, and that is at the root of what ends up happening.
Nella's new household is full of secrets to which she is not privy. Slowly she
starts to uncover the secrets of those she lives with and, as she does, things
begin to fall apart. Nella feels from the very beginning very powerless, as
woman don't have a lot of power in the seventeenth century. Divorce is unheard
of and once you’re married, you pretty much have to accept your fate--your bed, as they say, is made.
The role of the Miniaturist is an uncertain one from the
very beginning. With each new delivery, items which Nella hasn't asked for are
included with a note. Curiously, in the first interaction between Nella and the
Miniaturist, the Miniaturist talks of herself in first person. "I FIGHT TO
EMERGE." Later she gives what
appears to be a warning, "NELLA: THE TURNIP CANNOT THRIVE IN THE TULIP’S
PATCH OF SOIL." This makes Nella wonder if she's the turnip or the tulip?
I personally like the use of tulip as "tulip mania" was said to have
occurred right around the time period this book took place. It was a time when tulips were a highly sought after commodity and worth quite a bit of money, but shortly thereafter plummeted in price because the market didn't reflect the true price of the item. The situation before prices plummet is sometimes referred to as tulip or an economic bubble. I can't help but feel this was a bit of foreshadowing on the author's part as to what was to come, not so much in a literal sense but in a figurative one. After all, bubbles do tend to burst.
At another point the Miniaturist says, "THINGS CAN
CHANGE". This phrase reminded me of a quote from Dr. Seuss' The Lorax: “Unless someone like you cares a whole awful lot, nothing is going to get better. It's not.” Both are hopeful, both say change is possible, and both
state the obvious--that things need to change to get better. It made me wonder
if the author was also making a statement that while things have changed from
the seventeenth century to the present, have they really changed enough? Have
we really made that much progress in the time from one to other? After all,
bigotry still exists, people are still not accepting of those who are different
or don't conform to society's beliefs, and people still envy those who
have more.
Notes to Keep You in the Know:
Today, "'tulip mania' is used as a metaphor to describe an economic bubble. People start investing in a particular asset in large quantities because of positive sentiments about it. This pushes the prices of that asset to very high levels. After reaching a peak, prices suffer a sharp fall due to an extensive sell off, leaving the asset holders bankrupt. These assets are metaphorically called tulips."
Found at http://economictimes.indiatimes.com/definition/tulip-mania
An interview with Jessie Burton done by BBC News 24:
I enjoyed your review. I'll try my library, too.
ReplyDeleteIt's a rather unique book. I hope you love it as much as I did.
DeleteGreat review. Thank you.
ReplyDelete